Opernhaus Düsseldorf, Germany
Reflections from the first time I went to the Opera alone (only two weeks ago). The photos are quite blurry all of them were taken on my Blackberry and the little essay below were typed “real time,” during my night at the Opera:
“As usual, I showed up at the Opera house earlier than I should, most likely from a desire to be prompt as the denizens of Düsseldorf. The crowd is a diverse mix from elderly couples, groups of smartly dressed teenagers, singles in their late twenties, to entire families. With a student ID, I was able to get first row, first balcony tickets for an extremely discounted price (Should be noted: If you tell them you’re studying art, museum admissions are also free in Düsseldorf!)
Sitting alone with my fancy red opera envelope, I’m beginning to feel a little like a James Bond sort of a character, as if I should be exchanging secrets with the suit-clad man seated next to me. (My neighbor later turned out to be a lovely elderly woman with a fabulous sense of fashion) The Opera house is distinctively modern, although the red seats, the stucco decor, and the golden lighting are certainly evocative of the splendor of grand opera houses in Paris, Venice and etc. The pink stripes on the walls remind me also of circus tents. Like a character from a Mary Cassat painting or like Glenn Close’s character in Dangerous Liasons, I am drawn to people watching. I quickly realize how easily the interior construction lends itself to people watching.
The show tonight is Carmen, if I haven’t mentioned it already. I first read it in high school in a French class and I’m excited to see it performed live. The opera begins—act one flies by. Don José’s lines are overpowered by the live orchestra but Carmen and Escamillo have divine voices. During the intermission, the theatre completely empties out. Outside, the theatre-goers consume champagne and Kuchen (cake) and remark upon Don José’s weak voice. I’m still amazed at how many families and solo opera-goers are in attendance.
Fine art museums, gallery openings, operas, and theatre (a la Comédie-Française, not Broadway) are often seen as elitist in the States. Such venues and events are seen as signs of social class and wealth. However, during these past two weeks in Düsseldorf, I’ve noticed that the very same events are populated by the average inhabitants of Düsseldorf. No fur coats, sky-high heels, and haughty conversations are present. Rather, art and culture is an integrated part of their lives. Bookstores are filled to the brim with people lining up to buy the recent novel by Umberto Eco. Late nights in Museums are filled with children who come with both of their parents. Fine Art galleries are filled with teenagers who come to enjoy art. Düsseldorf, of course, is known for its art Academy that trained high profile artists such as Joseph Beuys, Gerhard Richter, and Andreas Gursky. I wonder, why can’t art and culture also be part of our lives in North America to the point where it would be taken for granted, not just seen as novelties? Only in the States we have prominent newspaper articles criticizing liberal arts majors (art history majors in particular) as drains on society.
The second act ends with Carmen’s death. Outside it is pouring- your average Düsseldorf winter weather. The mothers open up black umbrellas for their children and the fathers help them fasten their scarves. Single opera goers prop up their coat collars and disappear into the bustle of Altstadt. And me, I’m headed to the U-Bahn, back to my apartment where Düsseldorf brewed Altbier awaits me.”